The significance of art, does not negate its significant value and viceversa. 

– Andy Warhol

Artemundi, we believe great art is more than necessary—it’s timeless. And time is the only thing we don’t truly own. A historical masterpiece holds cultural meaning, emotional depth, and real, lasting value. That’s why we treat art not only as a cultural treasure, to be shown and appreciated, but also as a smart, tangible investment to be shared.

We started Artemundi in 1989 with a simple but bold idea: we avoided the traditional brik and mortar business believing that people should be able to own important artworks without paying excessive fees or navigating an opaque system. Since then, we’ve helped clients around the world build meaningful collections with clarity and confidence.

We focus on artworks that have stood the test of time—Impressionist, Modern, Post-War, and late 20th-century pieces by artists whose market value is well-established. We don’t invest in speculative or emerging art. Our strategy is rooted in knowledge, not trends.

Over the years, we’ve managed more than a billion dollars in art and completed thousands of transactions, but what we’re most proud of is our reputation for honesty, duty, transparency, and results.

We were also among the first in our field to use technology to make art investment more accessible. By leveraging blockchain and asset securitization, we’re opening up new ways for more people to own a piece of art history—literally.

Dedicated expertise

Decades of experience and our successful track record set us apart as the only art investment management company with a tested methodology.

We achieve attractive rates of return for investors looking to diversify holdings into tangible assets with performance unrelated to the capital markets.

Rebels by nature

Since 1989, we have grown contrary to traditional brick-and-mortar art businesses that carry huge overheads and excessive fees and commissions often on both ends.

Our track record

Artemundi Global Fund (2010-2015).
For more information about Artemundi Global Fund click HERE.

US$220,356,012.00
Accumulated assets under management

US$500 per share
Book value (initial)

US$983.55 per share
Book value (final)

Gross return (5 years): 96.71%
Net return (5 years): 85.36%
IRR: 17.41%

From 2016 to 2019, our own and related art investment portfolio was around US$100 million AUM per annum. Artemundi produced an average EBITDA over sales of 18.8% during that same period.

From 2020 to the present, we have engaged in launching new products focused on efficiency and new technologies.

Check our products and services to know their specific performance.

 

*Performance data displayed herein is historical, is not indicative of future returns and is no guarantee of future results. Information contained in this web-page is not intended to be used to assist the reader in determining artists or artworks to buy or sell or when to buy or sell such artists or artworks.

Our team

A team with experience & vision.

Our diverse team is integrated by international professionals, art collectors, specialists, and enthusiasts from the United States, Europe, United Kingdom, Mexico, Switzerland, and Brazil, unified by their deep artistic knowledge and their professional dedication towards delivering excellence in the art world.

Javier Lumbreras
Ángel Gonzalez
Karla Torres
Almudena Mulas
Natascha Reihl
Sofía Fernández
Aldones Nino
Michael Clark

Teamplayers and specialists

Grace Lumbreras
Marina Cochrane
Enrique Liberman
Sandra P. Kayal

Our Artworks

Marc Chagall, "The Sleep of Love", 1956 - 1957
Andy Warhol, "Four Marilyns (Reversal)", 1976-1986
Donald Judd, "Untitled (80-19 Bernstein)", 1980
Frida Kahlo, "Self-Portrait with Curly Hair", 1935
Mark Rothko, "Untitled", 1968
Salvador Dalí, "Hidden Faces", 1952
Joan Mitchell, "Untitled", ca. 1962
Pablo Picasso, "Fillette au béret", 1964
Kenneth Noland, "Across", 1964
Salvador Dalí, "Surrealist lamp", 1954
Dan Flavin, «"Monument" for V Tatlin», 1970
Alberto Giacometti, "Petit Buste", ca. 1955
Rudolf Stingel, "Untitled", 2006
Rufino Tamayo, "Los Músicos", 1949
Henry Moore, "Head", 1984
Josef Albers, "Homage to the Square", 1969
Pablo Picasso, "Tête de Femme (Dora Maar)", 1939
Agnes Martin, "Untitled", 1965,
Wassily Kandinsky, "The Resolution", 1938
Leonora Carrington, "Maja del Tarot", 1965
Christopher Wool, "Untitled (Lester)", 2001
Alexander Calder, Untitled, 1960
Claude Monet, Nympheas, ND
Willem de Kooning, Untitled, 1967-1974
Willem de Kooning, "Untitled", 1967–1974
Jeff Koons, "Smooth Egg with Bow (Magenta/Orange)", 1994 - 2009

Our partners

Artemundi has substantially invested in building up our reputation throughout an extensive network amongst the best art professionals.

From recognized databases to insurance companies, our strategic relationships with prominent art market specialists include key senior personnel to ensure that our art portfolio is managed with due diligence and proficiency.